I was discussing the relative merits of movies vs novels as a medium for telling a story and happened to reread a passage in The Fountainhead that struck me deeply.
Just think, Howard, think of it! You’ll be rich, you’ll be famous, you’ll be respected, you’ll be praised, you’ll be admired–you’ll be one of us!…Well?…Say something! Why don’t you say something?”
“Look, Peter. I believe you. I know that you have nothing to gain by saying this. I know more than that. I know that you don’t want me to succeed–it’s all right, I’m not reproaching you, I’ve always known it–you don’t want me ever to reach these things you’re offering me. And yet you’re pushing me on to reach them, quite sincerely. And you know that if I take your advice, I’ll reach them. And it’s not love for me, because that wouldn’t make you so angry–and so frightened….Peter, what is it that disturbs you about me as I am?”
— The Fountainhead, Ayn Rand
Some people criticize Rand’s dialogues for being unrealistic. And that is true. Real life dialogues are really as perceptive as this. But the question is: Why should dialogues in a novel be realistic? Here Rand contrasts riches, fame, respect, praise, admiration, acceptance – Peter Keating’s values – with pride and self-belief – Howard Roark’s values. Second-hand values against first-hand values. And Peter and Howard both realize that despite Peter’s having achieved all his values, he is still disturbed by the fact that Roark does not pursue Peter’s values. The dialogue is a tool to move one aspect of the story – Roark’s discovery of the difference between his values and that of most others – forward. And it does that job brilliantly. Why would one want real-life dialogue instead of dialogue like this? I read novels for entertainment; for those things that I cannot get in real life, atleast not in a short timespan. Significant events in real life are mixed up with so many mundane events that one needs a condensed depiction of the significant things to remind oneself of what is important and what is not. Every event, dialogue or description in a novel should be significant. It should serve a purpose; it should move the story forward. Real life dialogue in a novel is a waste of time.
Anyway, I got distracted. The point of this post was that by rereading this passage I have a better definition of happiness. My mental definition of happiness was – “the state of mind that results from the achievement of one’s values”. The passage above emphasizes that happiness results from the achievement of one’s values only if those values are objective – consciously chosen by one’s one mind by an objective standard. Achieving a value when one does not know why one values it does not bring lasting happiness.